Riding in Silence & The Crying Dervish
Mashid Mohadjerin
Bookdesign by Jelle Jespers
Published by HOPPER&FUCHS
Printed by Zwartopwit
Exhibition at the FOMU
Mashid Mohadjerin’s work is an intricate tapestry of personal and collective memory, weaving together photography, text, video, and archival material to explore themes of displacement, resistance, and identity.
In Riding in Silence & The Crying Dervish (2025), she draws from the depths of her family history, unraveling the echoes of migration, forced departures, and the quiet endurance of those caught between worlds. The book builds on her previous work, Freedom is Not Free (2021), where she explored the role of women in movements of resistance across the MENA region. However, in this latest series, she turns her gaze towards the intersection of masculinity, political ideology, and displacement, examining how historical forces shape personal narratives in ways both visible and unseen.
Published by HOPPER&FUCHS
Printed by Zwartopwit
Exhibition at the FOMU
Mashid Mohadjerin’s work is an intricate tapestry of personal and collective memory, weaving together photography, text, video, and archival material to explore themes of displacement, resistance, and identity.
In Riding in Silence & The Crying Dervish (2025), she draws from the depths of her family history, unraveling the echoes of migration, forced departures, and the quiet endurance of those caught between worlds. The book builds on her previous work, Freedom is Not Free (2021), where she explored the role of women in movements of resistance across the MENA region. However, in this latest series, she turns her gaze towards the intersection of masculinity, political ideology, and displacement, examining how historical forces shape personal narratives in ways both visible and unseen.
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